‡ AUDIO

A special note for VJ’s

A SPECIAL NOTE FOR VJs
Posted by DUBE FROM THE BLOOKLOOK SEE PROOF

http://avantafro.blogspot.com/2010/01/special-note-for-vjs.html

VJ - also known as visualist, projectionist, live mix video artist…not your videographer, not your filmmaker, we are perfomers mixing our video artworks LIVE to the music all around, with our fingers on our gear, and our eyes on the crowd, projections, and screens……our performances unfold as the evening unfolds….

~~RESPECT YOUR VJ~~

So you want to work with a VJ. Curators, promoters, musicians, artistic collaborators, producers, curious minds -- here are a few simple things to keep in mind to keep that special VJ happy…..it all comes down to

CREDIT

PAYMENT

&

TECH

GIVE CREDIT CREDIT CREDIT

VJs are perfomers, just like a DJ, a band, a singer, a dancer etc. They make the show happen. GIVE CREDIT!

Before event:

  • Include your VJ on all email listings, flyers, websites, RSS feeds etc as you would any other artist in your event. Do not skimp on this credit–VJs are working your event, and doing lots of prep work in advance and deserve these props.

  • Book your VJ before you get everything out to the press. If its too late, a second blast of emails etc with your VJ listed is helpful.

  • Don’t know where to put your VJ on a flyer? List them with your DJs, or where a DJ may go.

  • Ask your VJ how they want to be listed. Depending on the gig, some VJs prefer alternate titles instead of “VJ”.

  • If you are a band, make sure to let everyone know you’ve got a VJ on your side! Consider them a fellow band member!

  • Notify any press of VJ presence at the event so they can photograph and cover accordingly.

  • This shouldn’t even be here, but introduce artists to each other! Let them know they are all working together to make the night/show happen. Sometimes artists don’t even know they are working with live visuals. The more everyone knows the better and this could lead to amazing collaborations.

*Ask for bios, samples, stills, websites etc if compiling artist/show information.

During event:

  • Show some love! Give your VJ the option to play onstage. This will help your audience realize they aren’t experiencing pre-recorded visual artwork.

  • Don’t be shy to give a shout out your VJ! Treat your VJ as you would your DJ–your VJ will often mix video live the whole nite.

  • Provide drinks, comps, etc.

  • If this applies, provide backstage/stamps etc for full access for your VJ, You don’t want them getting stuck with lame security issues in the middle of your event!

  • SHOW SOME LOVE!!!

  • If any press, make sure they are aware your VJ is a part of YOUR event, not separate tech crew as is often misunderstood. This will allow their work, and your event, to get that extra special documentation.

After the event:

  • Pay your VJ day of event, if not in advance.

  • Include/mention your VJ in any documentation of the event, for example, on your website! Don’t forget, a VJ at an event is something to celebrate, you know that cuz you asked them to do the gig. Pass the word around, you know those visuals looked amazing.

PAYMENT

  • Be clear and up front about your collaboration. If this is a paying or non-paying gig, make sure everyone knows. Don’t be surprised if your VJ asks you up front, even if they are your friend.

  • Be clear about how long you are asking your VJ to play-whether it is one set with a band, visuals for all bands, visuals for a whole party, or half the party, for the runway show, or in between sets…. Make sure you are both on the same page! This will make payment easier to figure out.

  • Depending on your event, proper pay for a VJ can go anywhere from $200 to $5,000+ per event. Of course, this depends on what kind of work you will be asking your VJ to do. Take a look at the first note in Tech Specs. Be prepared to discuss.

  • For low and no budgets— treat a VJ like any other performer– a few bucks, a couple drinks/tickets, guest comps, a ride home….. etc, are ways to keep your VJ happy. This often applies to musicians and bands working with a VJ, treat them like one of your band.

  • Again, GIVE SOME LOVE!

TECH SPECS!

  • There are huge differences between a “plug-and-play” gig, a full video installation, and a specialized content gig.

· A plug and play is when your VJ plugs their gear into an existing video system, often the case in a club, or gallery.

· A full video installation requires your VJ to install video projectors, screens, scrim, inflatables etc, then set up their equipment to mix. This is often the case at outdoor events, warehouse parties, converted spaces etc.

· A specialized content gig requires your VJ to make specific visuals for your event, as is often the case in a corporate gig, or personal event like a wedding or birthday.

Lots of gigs are combinations of the above. Make sure to clear these differences up with your VJ in advance and be clear on what you are asking of them. They will be able to give you the proper timeline and cost for what you are asking them to do.

  • Again, whether the gig is a plug and play, or needs installation or equipment rentals etc, go over this with your VJ beforehand. Think of it this way, you wouldn’t ask a band to come play before making sure they know there is no sound system at the venue….

  • Discuss who will provide and install screens, cables, projectors, fabric etc. Don’t worry about all the technical details, your VJ will guide you. Talk over the entire scope of your idea with your VJ to see if there are issues that need to be addressed before the day of the event.

  • Lighting influences projections.

· Have your lighting designer and VJ work out an environmental scheme that allows for their work to support each other.

· Keep in mind that the presence of smoke, lights on the screens, equipment blocking the view, daylight etc can destroy a VJ performance and should be addressed in advance.

  • If it calls for one, arrange a site visit together to discuss all design needs before event. It may be helpful to invite the lighting designer and technician/engineer to this visit as well.

Other notes:

  • VJs need a safe place for their gear, keep in mind that they will most likely need a sturdy table/surface where they can see at least one of their projections from.

  • VJs need power, an outlet, a generator if it is outside.

The point is, talk with your VJ and the visuals will follow!

VJs: Get your shit together. Respect is a two-way street. Only expect it if you can properly prepare for and deliver quality performances. Know your collaborators and their work, know your venue, test your gear in advance. Ask questions, figure it out, fess up if you mess up. Most of all, love your craft: create amazing visuals & the respect will follow.

Thank you for reading this and supporting the art of VJs!

Kitty, Daisy & Lewis

Kitty Daisy & Lewis are no ordinary band. The three siblings - now aged 15,18 and 17 first came together onstage at a country and rockabilly jam in a North London pub. Over five years later the 50s music, fashion and technology obsessed family have built a massive word of mouth audience through a stream of rapturously received gigs and festival appearances and are ready to release their first long player on Rob da Bank’s Sunday Best label on 28th July 2008.

The single ‘Going Up The Country’ is a perfectly rounded summer holiday feel-good jam, full of harmonica solos, handclaps and lyrics about leaving the city smog for fairer country hills. Coming out on 7”, authentic 78rpm 10”, CD and download on 7th July 2008.

This video was directed by Alex Walker of Brickwall Films.

http://www.myspace.com/kittydaisyandlewis
http://www.sundaybest.net
http://www.recordstore.co.uk/sundaybest
http://www.brickwallfilms.co.uk

YACHT - Love at First Sight

I SAW THEM LIVE AT MEREDITH MUSIC FESTIVAL & YES Love at First Sight

MORE: http://www.teamyacht.com/


YACHT is a Band, Belief System, and Business conducted by Jona Bechtolt and Claire L. Evans of Marfa, Texas and Portland, Oregon, USA. All people are welcome to become members of YACHT.

Accordingly, YACHT is and always will be what YACHT is when YACHT is standing before you.

YACHT is about group consciousness. YACHT is about the individual man or woman. If you believe these assertions to be contradictory, consider the Triangle: it is both a collection of points and a shape.

The Triangle is also a concept map between three points. But it is not merely a concept.

YACHT believes all things, hopes all things, has endured many things, and hopes to be able to endure all things. If there is anything principled or pleasing, YACHT seeks it.

YACHT seeks to explore frontiers and to expand awareness of extraterrestrial Intelligence — which is not only real, but necessary.

YACHT believes in reforming an adequate language by coining new words. Through this and other processes, YACHT applies principles that demand the existing relationship between human beings and the other animals be changed.

YACHT believes in an Afterlife. YACHT does not believe in “Heaven,” or “Hell.”

YACHT encourages online dissemination of all things.

YACHT believes “Free Wi Fi” is not an advertisement of services, but a political statement.

Secondary interpretation of YACHT and the Triangle is not forbidden, but strongly frowned upon. YACHT is always available for consultation at the source (please email trust@teamyacht.com), so misinterpretations are unnecessary and will always be corrected. A general policy of openness and light has been instated.

YACHT believes that to all people have a right to Free thought, Free expression, to write their opinions freely and to counter, utter, and write upon the opinions of others.

There is a difference between Free as in “Free Lunch” and Free as in “Liberated.” YACHT believes that music and the Internet will become both, in time.

That said, YACHT will never participate in “flame war” culture.

YACHT IS NOT A CULT.

No additional information will be divulged for the time being.

Björk’s Voltaic: The Volta Tour Live in Paris and Reykjavik

Björk delivers a performance as visually spectacular as it is musically innovative. Fifteen years into her solo career, Björk remains the least compromising and most fantastical pop superstar talent.”
- The Guardian

No other songwriter can sound so naïve and so instinctual while building such elaborate structures. And few musicians have managed to sustain her unlikely combination of avant-gardism and pop visibility.”
- Jon Pareles, The New York Times

TONIK RECEIVES SAMA AWARD!

Well it happened we got the SAMA award for best instrumental album of the year. I am still speachless, well done Ronan & Jann… things are a lot clearer now…

Keep reading →

TONIK RECEIVES SAMA NOMINATION

sama_tonik.jpg
picture-80.jpg

TONIK LIVE AT LABIA THEATRE

TONIK LIVE AT THE LABIA THEATRE

PHOTOGRAPHY BY MARELI ESTERHUIZEN

Keep reading →