⚗ BEAUTIFUL

MASKER


mask |mask|
noun
1 a covering for all or part of the face, in particular
• a covering worn as a disguise, or to amuse or terrify other people.
• a covering made of fiber or gauze and fitting over the nose and mouth to protect against dust or air pollutants, or made of sterile gauze and worn to prevent infection of the wearer or (in surgery) of the patient.
• a protective covering fitting over the whole face, worn in fencing, ice hockey, and other sports.
• a respirator used to filter inhaled air or to supply gas for inhalation.
• (also masque) a cosmetic preparation spread over the face and left for some time to cleanse and improve the skin.
• Entomology the enlarged lower lip of a dragonfly larva, which can be extended to seize prey.
2 a likeness of a person’s face in clay or wax, esp. one made by taking a mold from the face.
• a person’s face regarded as having set into a particular expression : his face was a mask of rage.
• a hollow model of a human head worn by ancient Greek and Roman actors.
• the face or head of an animal, esp. of a fox, as a hunting trophy.
• archaic a masked person.
3 figurative a disguise or pretense : she let her mask of moderate respectability slip.
4 Photography a piece of something, such as a card, used to cover a part of an image that is not required when exposing a print.
• Electronics a patterned metal film used in the manufacture of microcircuits to allow selective modification of the underlying material.
verb [ trans. ]
cover (the face) with a mask.
• conceal (something) from view : the poplars masked a factory.
• disguise or hide (a sensation or quality) : brandy did not completely mask the bitter taste.
• cover (an object or surface) so as to protect it from a process, esp. painting : mask off doors and cupboards with sheets of plastic.
DERIVATIVES
masked adjective
ORIGIN mid 16th cent.: from French masque, from Italian maschera, mascara, probably from medieval Latin masca [witch, specter,] but influenced by Arabic mas k ara ‘buffoon.’

Vivian Maier - Her Discovered Work

Thank you to my friend Waldo Muller for introducing me to this arcane photographer and enigma: Vivian Maier. Her work was hidden away in a locker for a very long time, her stark yet innocent but passionate eye observed line and form in the most ‘platonic’ and quite obscure way, but beautiful… just so seamlessley captivating… Her composition and subject matter grabs me, travels with me and wants me to want more… of that moment… I wish I could meet her. She could have been a good friend to Diane Arbus. Maybe they shared the streets ? Vivian you had a hungry heart, I hope we can but celebrate a single moment of you!

Here is more on this mysterious woman, a piece I quote from a website dedicated to her:
A riddle, wrapped in a mystery, inside an enigma.
Piecing together Vivian Maier’s life can easily evoke Churchill’s famous quote about the vast land of Tsars and commissars that lay to the east. A person who fit the stereotypical European sensibilities of an independent liberated woman, accent and all, yet born in New York City. Someone who was intensely guarded and private, Vivian could be counted on to feistily preach her own very liberal worldview to anyone who cared to listen, or didn’t. Decidedly unmaterialistic, Vivian would come to amass a group of storage lockers stuffed to the brim with found items, art books, newspaper clippings, home films, as well as political tchotchkes and knick-knacks.

A free spirit but also a proud soul, Vivian became poor and was ultimately saved by three of the children she had nannied earlier in her life. Fondly remembering Maier as a second mother, they pooled together to pay for an apartment and took the best of care for her. Unbeknownst to them, one of Vivian’s storage lockers was auctioned off due to delinquent payments. In those storage lockers lay the massive hoard of negatives Maier secretly stashed throughout her lifetime.

Maier’s massive body of work would come to light when in 2007 her work was discovered at a local thrift auction house on Chicago’s Northwest Side. From there, it would eventually impact the world over and change the life of the man who championed her work and brought it to the public eye, John Maloof.











Sofa Set by Kai Kristiansen


4 Piece Sofa Set by Kai Kristiansen
Denmark
1960’s

Love the curved lines in rosewood.
You can buy it here http://www.1stdibs.com/furniture_item_detail.php?id=212661

TODAY#1

“I have always looked upon decay as being just as wonderful and rich an expression of life as growth.”
Henry Miller quotes (American Author and Writer, 1891-1980)

“The creative is the place where no one else has ever been. You have to leave the city of your comfort and go into the wilderness of your intuition. What you’ll discover will be wonderful. What you’ll discover is yourself.” Alan Alda

Arizona Dream {1993}

I stumbled upon this Gem the other night. Thank you DSTV & my parents house… This took me back to a time when I was still dreaming of marrying johnny Depp & writiing my way to a dream world quite accurately captured in this movie.


If Sarajevo-born director Emir Kusturica’s only film in English feels at times as if something must have been obscured in the translation, it’s no less memorable in its own way than his Balkan masterworks Underground, Time of the Gypsies, or Black Cat, White Cat. From the Eskimo dreams that bookend the picture to the tropical fish that periodically comes swimming through the air, Arizona Dream has a surreal quality that you accept on its own terms or not at all.

Art+Watching II

If you ever get close to a human
And human behaviour
Be ready, be ready to get confused

There’s definitely, definitely, definitely no logic
To human behaviour
But yet so, yet so irresistible

And there’s no map
and a compass
wouldn’t help at all

They’re terribly moody
And human behaviour
Then all of a sudden turn happy

But, oh, to get involved in the exchange
Of human emotions
Is ever so, ever so satisfying















ICE LAND

ANDRI ÁSGRÍMSSON X MUNDI
The Icelandic musician Ásgrímsson soundtrack ‘Harmabót’, a Dazed Digital film featuring Mundi’s AW10/11 collection
DD: How old are you?
Þórður Ingi Jónsson: I’m 16 years old.

DD: Where were you born and where do you live?
Þórður Ingi Jónsson: I was born in Reykjavik and have lived on the west side, in 101 Reykjavík, since I was born, in the cold, harsh, volcanic wasteland of Iceland. It’s a hard-knock life what with all the passages to hell that spew toxic fumes and melt faces all day. We’re getting good at annoying Europe by means of economic terrorism and stopping flight traffic. Everything is going straight to hell over here, I predict full scale rioting and anarchy…
Original article |||HERE|||

This is iceland at its best… music, design and fashion combination, riding the after effects of volcanic wasteland. Im so ready for their hard-knock life.

Here is more on local fashion designers & the Reykjavik Fashion Festival |||HERE|||

The Iceland Design Center also organised a design event in Reykjavík called Design March, which covers all sides of Icelandic design (product, graphic, architecture, fashion etc.) You can read more about it here |||HERE|||

Digital bird book found: OWLS. Family Alucondidae

OWLS. Family Alucondidae.

I’ve been influenced by these birds lately. Not sure if it is the colour palette they so contently wear or the nature of their presence. While taking a closer look at these beautiful creatures i found this book about birds and there is quite a nice section on OWLS. Family Alucondidae.

|||You can read the digital bird book here|||
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Poetry Dinner Party

We(Myself & Mareli) are hosting a poetry dinner party at our house this friday. We have asked everyone to bring along a poem to share at the dinner party. Ill be sharing these with you later. For now here is the invitation I made.

Poetry by Candle light, what a delight.
Marcii Goose for Mariah & Andrew

Mareli Esterhuizen

Caleb Pedersen

Megan Blankendal


Andrew Breitenberg

Anton Viljoen

Mariah Breitenberg


Robin Scott

Jean-Michel Basquiat

I relate to this man too much it scares me, like he is living inside me somewhere… pure imaginative multiple genius… floating on a cloud of sadness…somewhere…

…this gentleman cannot be appreciated unless you see the scope of his work, within his brief moment of brilliance. he spoke without words, but through his art. yes he was flawed, like we all are, but in his short 27 years he created a presence that will outlast any who dare comment on his failings. color separation and characterizations of explicit concept, captured tragically and beautifully. like feeling multiple emotions at the same time.
comment by sholwa on youtube

YOURE by Sylvia Plath

Clownlike, happiest on your hands,
Feet to the stars, and moon-skulled,
Gilled like a fish. A common-sense
Thumbs-down on the dodo’s mode.
Wrapped up in yourself like a spool,
Trawling your dark, as owls do.
Mute as a turnip from the Fourth
Of July to All Fools’ Day,
O high-riser, my little loaf.

Vague as fog and looked for like mail.
Farther off than Australia.
Bent-backed Atlas, our traveled prawn.
Snug as a bud and at home
Like a sprat in a pickle jug.
A creel of eels, all ripples.
Jumpy as a Mexican bean.
Right, like a well-done sum.
A clean slate, with your own face on.



SAD NE//WS

“ when a person is lucky enough to live inside a story, to live inside an imaginary world, the pains of this world disappear. For as long as the story goes on, reality no longer exists.











VEASYBLE

I saw this on SWISS MISS

LOVE THE SHAPE AND CONTRAST WITH THE ENVIRONMENT

I WANT ONE.

An ornament from being able to wear.
A gesture for being able to transform it.
A hiding place for own intimità.
A callback for own esteriorità.



Miso street art








Miso is really taken with the idea of art , and especially street art, as something which binds us as a community. It functions in a very old fashioned way, in that it becomes a way of telling and sharing stories and images, embedding them within the city. Like folk art, it comes to have a very particular, practical function. It brings us together as makers, viewers and consumers, finding new pieces and exploring the possibilities of our cities. In this sense, a lot of Miso’s work deals with telling stories. it is heavily inspired by the Ukranian folklore she grew up with, alongside sharing stories from Eastern Europe today, as well as from her new home in Melbourne.
Her work deals with passing on myths and folklore, as well as portraying everyday scenes – strangers in the street, portraits of friends. And in turn, these instances are pasted back onto the city from which they came, or exhibited in its galleries. This preoccupation is something that has led Miso to use relatively simple, if not altogether old fashioned materials. She borrows a lot from Ukranian folk and craft traditions, often reserved as womens’ work, as well as from street art – ultimately, a boys’ club.
Recent work sees her relaying between pen and ink, pencil, watercolour drawings, as well as paper cuts and embroidery. Across both gallery and street strands of her work, she uses mediums with their own stories in tow. Weathered wood panels, scraps of clothing, newsprint paper offcuts from industrial printers – as well as city walls, laden with tags, cleaned and weathered, rained on and cracked with time.
Miso is 20 years old, and lives in Melbourne, Australia, where she works with the MF artist collective, and shares a studio with her partner, Ghostpatrol.
miso (at) cityofreubens.com

HARPER NOMINEE x SENYOL †

HARPER NOMINEE is a independent label by Marcii Goosen.
A t-shirt Label for the brazen minded.
Visual essays on fabric to stimulate thought and action. Be serious. Be passionate. Wake up.

Launching summer 2010

A meeting of minds and collaborative effort between marcii goosen and paul senyol.

For more blog thing : http://senyol.blogspot.com/

You&Me&EveryoneWeKnow Market II

        ♥ ♣ ☂ ▲

You know that lovely experiment in creative exchange that resulted in the market that you heard about, or participated in on the 5th September
& sent us your feedback, well
Me and the Exchange crew have been plotting
& we’re doing it again, bigger, better, and in an exciting new venue, and we wanted to give
Everyone is invited to book a stall
We are certainly looking forward to it
Know some fundamental information:

Date: Saturday 28th November (just in time for Christmas present shopping, and just after payday) weather permitting
Venue: The Labia on Orange outside area, with you and our customers getting access to the snacks & drink bar and all other amenities…
Cost: R200 per 1,5m x 1m slot - site map will be available to book from 14th November

Booking: Essential, to confirm with us by the 16th November if you’re taking part.

Samples or pictures of work may be requested
Contracts will be provided on acceptance of your booking.
Goods: for sale under R350, but we’re open to negotiation, especially if you want to come and showcase a prototype.

THANK YOU! looking forward to the bigger, better, exciting You&Me&EveryoneWeKnow Market.

Remember - your reply by 16th November

        ♥ ♣ ☂ ▲

PAPERGIRL SA WEBSITE LIVE

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Papergirl is an art project which, in the style of american paperboys, distributes rolled art pieces by bicycle to random passers-by in the streets. It consists of an exhibition, the action (distribution of the art) and a party.
|||VISIT WEBSITE HERE|||

PAPERGIRL SA IS HERE

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We are the new team in SA busy setting up the first PAPERGIRL Cape Town run this summer!

LARA KRUGER
larakruger@yahoo.com

MARCII GOOSEN
www.marciigoose.com

SHANI JUDES
www.word-of-art.co.za

FLAGG
www.writeonafrica.com

|||WEBSITE HERE|||

EVOL [new work]

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EVOL
New Works

SEE FULL SHOW HERE
EVOL WEBSITE HERE

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KAI KUHNE fall/winter 2009

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Björk’s Voltaic: The Volta Tour Live in Paris and Reykjavik

Björk delivers a performance as visually spectacular as it is musically innovative. Fifteen years into her solo career, Björk remains the least compromising and most fantastical pop superstar talent.”
- The Guardian

No other songwriter can sound so naïve and so instinctual while building such elaborate structures. And few musicians have managed to sustain her unlikely combination of avant-gardism and pop visibility.”
- Jon Pareles, The New York Times

LABIA CELEBRATION EXCHANGE - ‘the making’ video

THE ICELANDSCAPE

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The landscape is very important for Icelanders. Almost 30 percent of Icelanders rate it more important than the flag or even Icelandic language. And maybe that’s why the landscape almost hasn’t changed since 874 A. D. when Ingólfur Arnarson settled in the area of Reykjavik.

GOTTFRIED HELNWEING

Gottfried Helnwein is a painter, photographer, installation and performance artist who has created some of the most provocative images I’ve ever seen.

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http://www.helnwein.com/

100 ABANDONED HOUSES

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A series photos by Kevin Bauman, who has been documenting abandoned houses in Detroit since the mid 90’s.
The abandoned houses project began innocently enough roughly ten years ago. I actually began photographing abandonment in Detroit in the mid 90’s as a creative outlet, and as a way of satisfying my curiosity with the state of my home town. I had always found it to be amazing, depressing, and perplexing that a once great city could find itself in such great distress, all the while surrounded by such affluence.

Brush Park, on the outskirts of Detroit’s entertainment district was always an area of interest to me. For as long as I can remember the area, housing large houses and mansions, sat largely abandoned just a stones throw away from the Fox Theater, and not far from Wayne State University, the Masonic Theater, and even the central business district. How could an area that was obviously once a wealthy enclave in the city become an example of the downfall of American cities?
A series photos by Kevin Bauman, who has been documenting abandoned houses in Detroit since the mid 90’s.

For years the area had signs advertising the redevelopment that was about to take place. It finally began to happen, with the construction of the new ballpark for the Tigers, and Ford Field for the Lions. New condos, and town homes began to appear amidst the rubble of burned out mansions turned apartments. Some of the houses were so large they became “loft condos”. As the entertainment district flourished, and Brush Park began to transform into something new, I realized the other approximately 135 square miles of Detroit was largely ignored. The excitement about Detroit’s “rebirth” took center stage, while much of the rest of the city was becoming largely abandoned. Even Brush Park itself was still largely abandoned, but with the remaining tenants of Brush Park buildings being pushed out, and many of the old houses torn down, I moved on to other areas, where Detroiters were attempting to make a life among abandoned and burned out houses. Often times, the neighborhoods were almost completely abandoned. In these neighborhoods I encountered concerned citizens, packs of wild dogs, 20 foot high piles of toilets, and houses with the facades torn off, filled with garbage.

As the number of images grew, and a documentary style emerged, I switched from mostly black and white, to color, and decided to name the series 100 Abandoned Houses. 100 seemed like a lot, although the number of abandoned houses in Detroit is more like 12,000. Encompassing an area of over 138 square miles, Detroit has enough room to hold the land mass of San Francisco, Boston, and Manhattan Island, yet the population has fallen from close to 2 million citizens, to most likely less than 800,000. With such a dramatic decline, the abandoned house problem is not likely to go away any time soon.

www.100abandonedhouses.com/

PAPERGIRL!

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Papergirl #3 from Papergirl on Vimeo.

Papergirls and Paperboys, Get on your bikes!

In our over-juried, overexposed, over-hyped land of art and design it’s refreshing to see an art event that not only has no jury, but also gives away the pieces in an “unprejudiced” way to anyone near the bike path. Born out of a reaction to recent changes regarding Berlin’s vandalism laws, Papergirl rallies artists and cyclists to distribute rolls of paper art (posters, prints, etc.) to unsuspecting Berliners. I had the pleasure of interviewing the original Papergirl, Aisha Ronniger, to find out more about this project.

STEP 1 - ASSEMBLE

In your video interview (see below) you said Papergirl’s main message is to have fun, and make people happy. Do you think the art scene has lost sight of these goals in any way?
Well, first of all, this is me talking about myself. I ponder too much about things and what might others think about things etc. So the impulse was: do it and have fun and get other people involved, cause shared fun is twice as fun!

STEP 2 - GATHER

Papergirl, in addition to being a reaction to the recent paste-up law in Berlin, also focuses on the experience of the event as a performance piece. What sort of reactions do you see from people receiving the posters/seeing the group of cyclists?
Berlin is a city full of art, so many people are kind of used to it or are too cool to show any reaction or curiosity at first. But mainly people are surprised and even the toughest ones are curious after a while! So sometimes we get a “thanks” yell or even thank you e-mails!

STEP 3 - DELIVER

You say the works show a great range of quality and quantity. Why did you decide to make Papergirl an “open call” submission and not a juried show?
I think it comes from a street art point of view. The streets are not curated either and all the work that is out there is sort of a present to the viewer, too! Through this decision the visitor of the show turns into a curator. And also, I don’t want to tell anyone what he can or can’t give away.

STEP 4 - ENJOY

Papergirl is specific to Berlin. Do you see Papergirl expanding to occur in other cities/countries?
I’d say the idea of Papergirl is universally understandable; in every culture you make presents and people make art. So actually, you only need a bikeable city and some people! In fact Papergirl has already been invited to Spain and there is a PPG branch in California since this year. It would make me very happy, if Papergirl would be adapted all over the world one day!

VVORK

VVORK is a daily website that offers a carefully curated collection of contemporary art.
http://www.vvork.com/
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LABIA CELEBRATION EXCHANGE

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Keep reading →

BJORK BEAUTIFUL

http://www.bjork.com/

Keep reading →

OLD VS. NEW Book Cadillac Hotel

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DETROIT>>The Book-Cadillac Hotel was the epitome of glamour when it opened its doors in 1924. The world’s tallest hotel, it boasted an opulent, Italian Renaissance-inspired design. Over the years it hosted presidents, Hollywood stars and infamous gangsters.
But after a 60-year run, the declining metropolis could no longer sustain the Book-Cadillac, and it became yet another empty landmark in Detroit’s once-bustling downtown.

After standing vacant for more than two decades — the gilded interior stripped by scavengers, the ballrooms exposed to the elements - the BookCadillac is poised to again become Detroit’s ultimate luxury destination. Following several hiccups, the building is at last on its way to a new incarnation: a 455-room Westin hotel, set to open in late 2008 and topped by eight floors of pricey condos, most of which already have sold.